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Ian Bostridge's latest recording
of Schubert's "Die schone Mullerin" (with Mitsuko Uchida) is an
amazing achievement. No one is better able to express the
child-like wonder that characterizes the protagonist of this song
cycle. Talking to a brook, hearing the singing of the water-nymphs,
turning to nature in both joy and sorrow is a way of life,
which has come to be associated with poets or lovers, but which in
reality should be part of our everyday experiencing, had we not
deviated so sharply from our normal course of spiritual
development. And this heightened state of being is what Bostridge
brings to the work, infusing it with all the vigor and
enthusiasm which usually only youth has at its disposal, but which
the connection to the Luminous Heights of the spirit grants at any time.
And when one "hears" this special luminosity in the voice ringing out
right from the start, in the opening songs of the cycle, one can't help
wondering: has there ever been a more spiritual singer?
The last five songs of
the cycle are performed by Mr. Bostridge with devastating beauty and
with the subtlety of shading that borders on the unbelievable. Mitsuko
Uchida is a marvelous partner for him: she has that wonderful
feminine presence, in the best sense of the word. She is lyrical and
sensitive, powerful when needed, but never harsh or aggressive. Together
they create an atmosphere, which is at once spontaneous and
masterfully controlled. Mitsuko Uchida seems to have a liberating effect
on Mr. Bostridge, where as Mr. Andsnes seems to us to have a somewhat
constricting effect on him in their recording of "Winterreise", lacking
the subtlety to match Bostridge's. So for us, their
"Winterreise" is like a rose that never quite unfolded. By
contrast, this recording with Mitsuko Uchida is a rose in full,
glorious bloom: breathtakingly beautiful, and so alive and natural as
if it never could have formed in any other way. This said, it is
still the incomparable Julius Drake, who in our view remains the
most ideal partner for Mr. Bostridge. Their work together stands on a
plateau all its own. And their earlier recording of
"Winterreise", which was made for the David Alden film, seems quite
unsurpassable to us.
In "Die schone
Mullerin" we find ourselves, together with Bostridge, reliving the
joy and naiveté of youth's first love - without the "help" of
psychoanalysis, which is always the quickest way to murder all fresh and
genuine experiencing (in life as well as in art). This "murdering"
inevitably occurs because psychoanalysis fails to take into
consideration the spiritual essence of man, instead
directing everything downwards (literally and figuratively) towards the
lowest common denominator. It denies man a chance to see
the perfection of the ideal in what is yet imperfect as real. And
yet it is just the longing for the ideal that makes a human
being, that shapes him into what he should become in Creation - just
as the lack of that longing makes him into something that he was never
meant to become. As Oscar Wilde so keenly observed: for all its
intellectual appeal, cynicism is a perfect philosophy for a man without a
soul. Genuine love, like nothing else, helps us to strive upwards to the
height of existence worthy of man, so it is essential not to succumb
to cynicism in these matters by quickly putting things into a sobering
"perspective". Abd-ru-shin
restores the natural perspective on a man/woman
relationship:
There is no question that
Schubert carried the longing for this ideal of womanhood deep within his
soul, as practically every one of his songs testifies. It was the longing
that no amount of life's disappointments could tarnish. His irony never
turned into cynicism, and his despair only served to intensify his
longing. And it is self-evident that all the great German poets of that
same period (Goethe, Heine, Schiller, Morike and many others)
also had this longing, intuitively sensing the high place that a
genuine woman was meant to occupy in Creation. But it is only
Abd-ru-shin, who finally reveals the actual nature of the lofty task
assigned to woman in the Divinely ordained order of Creation, from which
we have all deviated such a long time ago that even a memory of it hardly
stirs within us anymore:
"Only genuine, purest womanhood can awaken and lead a man to great deeds! Nothing else! And that is the vocation of woman in Creation according to God's Will! Through this she uplifts her nation and all humanity, yes even the whole of Subsequent Creation, for in her gentle working alone lies that sublime power which is irresistible and compelling and, if of the purest volition, blessed by Divine Power. There is nothing to equal it, for she carries beauty in its purest form into everything she does and everything that proceeds from her! That is why her weaving should permeate the whole Creation, refreshing, uplifting, furthering and animating, like a breath from the longed-for Paradise! This was the pearl among the gifts of your Creator that Lucifer grasped at first of all, with all his cunning and malice, knowing that that was the best method with which to tear away your hold and your striving towards the Light! For in woman lies the precious secret that is able to set free the purity and sublimity of every thought, the inspiration to the greatest activity and noblest deeds - provided that she is the woman the Creator intended her to be when He lavished these gifts upon her. You let yourselves be duped too easily! You succumbed to the temptations without a fight! As a willing slave of Lucifer woman now directs her beautiful Divine gifts to serve a contrary purpose, and thereby brings the entire Subsequent Creation under the domination of the Darkness. Of everything that God wanted to come into existence for the joy and happiness of all creatures in this Creation, only repulsive caricatures are present! Of course everything did come into existence, but changed and distorted through the influence of Lucifer. Wrong! The woman of Subsequent Creation made herself the mediator in this matter. A gruesome bog spread over the clear soil of purity, and radiant enthusiasm was replaced by sensual orgies!.. Just as woman was able to drag the whole Subsequent Creation down deeply, so also has she the power once more to uplift and further it, for man will follow her lead in this." (Abd-ru-shin, "IN THE LIGHT OF TRUTH: THE GRAIL MESSAGE", chapter "Watch and Pray!") "I have already stated once before that through womanhood Lucifer sought to deliver the most crushing blow against real humanity and, alas, he succeeded only too well!
For this purpose a more delicate capacity to perceive intuitively develops within woman for, in her urge towards a more delicate activity, less of the spiritual substantiality detaches itself from her than from the man, who inclines towards coarser activity. Through this every woman is the receiver and mediator of radiations which men can no longer receive. Womanhood stands therein half a step higher, turned more towards the Light than any man. Provided, of course, that she stands aright and does not fritter away her abilities or obstruct them herself! Man subconsciously senses that woman thereby possesses refinements which he no longer bears within himself, nor can he bear them within him in view of the nature of his activity, since they would restrain him from many a coarse matter which has still to be dealt with. It is true that he does not become quite clear about this, or at least very rarely, but he perceives a treasure therein which needs to be preserved. He feels urged to protect this invisible treasure in the World of Gross Matter, because he feels himself the stronger one in the earthly, i. e., in the gross material sense. There are only a few men who do not intuitively perceive this. But these have in any case become brutalised and can no longer be counted as men in the true sense. The desire to protect which remains unuttered because only subconsciously felt, has now brought man gradually and erroneously to view womanhood as the weaker sex, the sex which needs his protection. Thus this designation does not perhaps originate from an evil volition or a depreciatory judgment, but only from ignorance of the true reason for his own intuitive perceptions. Along with the beginning and advancing dullness due to earthmen's false ways of thinking, and along with the ever-increasing limitation of their ability to understand things lying outside the coarsest World of Matter, there also naturally arose an interpretation of the expression that became ever more base. In reality man is not the stronger sex but only the coarser sex, i. e., the more gross material one, and therefore the denser one; womanhood, however, is not the weaker sex, but merely the more delicate, the more "loosened" one, which has nothing to do with weaknesses." (Abd-ru-shin, "IN THE LIGHT OF TRUTH: THE GRAIL MESSAGE", chapter "The Weak Sex".) May
30, 2005
Photo of
Mr. Bostridge taken from "Winterreise" by David
Alden
Background
painting (before alterations) by Caspar David Friedrich
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