"Return to Light" is a visual exploration of the eternal journey
of the soul. Metaphysical and cosmic, it can be thought of as the
Pearses' version of 2001: A Space Odyssey; however, instead of
flying around the solar system in space ships, it concentrates on the
inner-cosmos of a human being, on the philosophical dimension
of the suffering and transcendence of the human spirit. Considered to
be "in the tradition of Luis Buñuel and Salvador Dali" (Louis B.
Parks, Houston Chronicle), Return to Light is a
surrealistic tour-de-force with an unabashed link to the great art
films of past decades.
When a husband's life is shattered by the sudden loss of his wife,
he is forced for the first time to seriously confront the questions of
life and death. As he grapples with the nature of his own oppressive
reality, he becomes intuitively aware of his wife's presence. Soon he
is able to freely communicate with his departed bride in their own
private reality. Dealing with such concepts as "fate", "reincarnation"
and "a higher purpose" of human life, she guides him step by step
towards a greater spiritual awareness. The key element in this
spiritual evolution is his quest for the Holy Grail and his
recollection of "the greatest event of all time and the greatest
tragedy" in human history that occurred in Germany in the years before
the outbreak of WWII.
Throughout the film, there is a constant interweaving of images
from all of the hero's past lives. In this way, the film offers a
glimpse into the totality of a human being's existence and his
struggle to return to the Light. The film is dedicated to the German philosopher Abd-ru-shin,
whose life and spiritual writings have inspired the
directors deeply.